Charles Gray

“Lieberson warns against taking Songs of Love and Sorrow too literally. It’s not meant to be an elegy memorializing Hunt Lieberson. But the composer acknowledges that it is autobiographical.”

“Performer and composer, eccentric and original, Monk was shrouded in mystery throughout his life. Not an especially loquacious artist (at least with journalists), he left most of his expression in his inimitable work, as stunning and unique as anyone’s in jazz–second only to Duke Ellington’s and perched alongside Charles Mingus’.”

“In 39 brief years Chopin managed to compose over 180 works for piano, and except for three piano sonatas and two concertos, most of them last no more than three to five minutes. Chopin’s mastery of the genre shows itself in his magical preludes and mazurkas.”

“The great paradox of modern musical life, whether in the classical or pop arena, is that we both worship our idols and, in a way, straitjacket them. We consign them to cruelly specific roles: a certain rock band is expected to loosen us up, a certain composer is expected to ennoble us.”

“Philip Ball, a British science writer and an avid music enthusiast, comes down somewhere in the middle. He says that music is ingrained in our auditory, cognitive and motor functions. We have a music instinct as much as a language instinct, and could not rid ourselves of it if we tried.”